KUNST
THE TEXTURE OF THE GROUND COLLECTED FROM A BIT OF METAL ON MY SHOE
A study of elevating what we normally dismiss. Etching style prints using scuffed metal, bespangled with textures from the ground.
PLACEBOS
A study of the power of the mind. Placebos are said to work even when the subject knows it’s a placebo. Collections of blank sugar pills in labelled bottles.
EVERYTHING IN MY BED
A study of collecting visual closeness, identity and personal intimacy. Black and white photocopies of every item in my bed.
EVERYTHING AN DER WAND
A visual study of identity, ownership and intimacy. Colour photocopies of every item on my wall.
EVERYTHING IN MY BAG
A study to visually articulate vulnerability, identity, and personal intimacy. Black and white photocopies of every item in my bag.
PICKLED OBJECTS
A study of applying functional techniques in inappropriate settings. A collection of three hundred objects preserved in vinegar.
OTHER WORK
EVERYTHING I WAS WEARING
A provocative study on examining boundaries. A collection of photocopies of every item I was wearing in a Berlin winter all the way from gloves to socks. Images collected in a public print shop in Berlin until asked to stop.
DUST
A collection of copper plates printed and textured with dust from each room of my house. A tangible representation of showcasing what’s normally unseen and dismissed.
WE’VE GOT TO GET A HANDLE ON THINGS
A disposable vape used as a handle for a metalworking file as part of an exhibition highlighting how we can take action on the ongoing environmetal challenges.
DAVID HASSELHOFF
A study on perception, duty and anonymity. One disposable camera passed round from artist to artist, instructed to take one photo each.
COLLAGE
Multiple photocopied compositions using found objects, bought objects, rubbish, artwork and drawings. A visual discussion about where the line is around ownership of visual art.
